{"id":9,"date":"2024-02-09T09:24:05","date_gmt":"2024-02-09T09:24:05","guid":{"rendered":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/?page_id=9"},"modified":"2024-06-17T09:15:33","modified_gmt":"2024-06-17T09:15:33","slug":"hollywood-before-the-code","status":"publish","type":"page","link":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/","title":{"rendered":"Hollywood Before the Code"},"content":{"rendered":"<style>.kb-row-layout-id9_8b674f-da > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id9_8b674f-da > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id9_8b674f-da > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id9_8b674f-da > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id9_8b674f-da > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id9_8b674f-da > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id9_8b674f-da alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column9_452f67-56 > .kt-inside-inner-col,.kadence-column9_452f67-56 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column9_452f67-56 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column9_452f67-56 > .kt-inside-inner-col{flex-direction:column;}.kadence-column9_452f67-56 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column9_452f67-56 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column9_452f67-56, .kadence-column9_452f67-56 h1, .kadence-column9_452f67-56 h2, .kadence-column9_452f67-56 h3, .kadence-column9_452f67-56 h4, .kadence-column9_452f67-56 h5, .kadence-column9_452f67-56 h6{color:var(--global-palette9, #ffffff);}.kadence-column9_452f67-56{position:relative;}@media all and (max-width: 1024px){.kadence-column9_452f67-56 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column9_452f67-56 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column9_452f67-56\"><div class=\"kt-inside-inner-col\">\n<p class=\"has-text-align-center has-theme-palette-3-color has-text-color has-link-color wp-elements-6dd7488035d2b1a7699ff851ce69890c\" style=\"font-style:normal;font-weight:600;text-transform:uppercase\">international CONFERENCE <\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading9_dc4107-1d, .wp-block-kadence-advancedheading.kt-adv-heading9_dc4107-1d[data-kb-block=\"kb-adv-heading9_dc4107-1d\"]{text-align:center;font-size:var(--global-kb-font-size-xl, 3rem);font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading9_dc4107-1d mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading9_dc4107-1d[data-kb-block=\"kb-adv-heading9_dc4107-1d\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading9_dc4107-1d img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading9_dc4107-1d[data-kb-block=\"kb-adv-heading9_dc4107-1d\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading9_dc4107-1d wp-block-kadence-advancedheading has-theme-palette-3-color has-text-color\" data-kb-block=\"kb-adv-heading9_dc4107-1d\">Hollywood Before the Code (1921-1934)<\/h2>\n\n\n<style>.kadence-column9_bed6d1-1e{max-width:1200px;margin-left:auto;margin-right:auto;}.wp-block-kadence-column.kb-section-dir-horizontal:not(.kb-section-md-dir-vertical)>.kt-inside-inner-col>.kadence-column9_bed6d1-1e{-webkit-flex:0 1 1200px;flex:0 1 1200px;max-width:unset;margin-left:unset;margin-right:unset;}.kadence-column9_bed6d1-1e > .kt-inside-inner-col,.kadence-column9_bed6d1-1e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column9_bed6d1-1e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column9_bed6d1-1e > .kt-inside-inner-col{flex-direction:column;}.kadence-column9_bed6d1-1e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column9_bed6d1-1e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column9_bed6d1-1e{position:relative;}@media all and (min-width: 1025px){.wp-block-kadence-column.kb-section-dir-horizontal>.kt-inside-inner-col>.kadence-column9_bed6d1-1e{-webkit-flex:0 1 1200px;flex:0 1 1200px;max-width:unset;margin-left:unset;margin-right:unset;}}@media all and (max-width: 1024px){.kadence-column9_bed6d1-1e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.wp-block-kadence-column.kb-section-sm-dir-vertical:not(.kb-section-sm-dir-horizontal):not(.kb-section-sm-dir-specificity)>.kt-inside-inner-col>.kadence-column9_bed6d1-1e{max-width:1200px;-webkit-flex:1;flex:1;margin-left:auto;margin-right:auto;}.kadence-column9_bed6d1-1e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column9_bed6d1-1e\"><div class=\"kt-inside-inner-col\">\n<h4 class=\"wp-block-heading has-text-align-center has-theme-palette-3-color has-text-color has-link-color wp-elements-22c54dc53b915a3ab6d47228d56bb1a1\">June 27-29, 2024<br>Sorbonne Universit\u00e9 (Day 1) and Universit\u00e9 Paris Nanterre (Days 2 and 3)<\/h4>\n\n\n<style>.wp-block-kadence-spacer.kt-block-spacer-9_f49f88-eb .kt-block-spacer{height:20px;}.wp-block-kadence-spacer.kt-block-spacer-9_f49f88-eb .kt-divider{border-top-width:1px;height:1px;border-top-color:#eee;width:80%;border-top-style:solid;}<\/style>\n<div class=\"wp-block-kadence-spacer aligncenter kt-block-spacer-9_f49f88-eb\"><div class=\"kt-block-spacer kt-block-spacer-halign-center\"><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1170\" src=\"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/the-gold-diggers_8-fr-1623872915.jpg\" alt=\"\" class=\"wp-image-361\" srcset=\"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/the-gold-diggers_8-fr-1623872915.jpg 1500w, https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/the-gold-diggers_8-fr-1623872915-300x234.jpg 300w, https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/the-gold-diggers_8-fr-1623872915-1024x799.jpg 1024w, https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/the-gold-diggers_8-fr-1623872915-768x599.jpg 768w, https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/the-gold-diggers_8-fr-1623872915-600x468.jpg 600w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">Gold Diggers of 1933 (1933) \nDirected by Mervyn LeRoy<\/figcaption><\/figure>\n\n\n\n<p class=\"has-text-align-left has-theme-palette-4-color has-text-color has-link-color wp-elements-d139fcc4c2b92d185d53fd1db2d4f726\">This international conference aims at re-examining the notion of \u201cPre-Code Hollywood\u201d and its periodization. Scholars from all over the world will examine the socio-political, ideological, and aesthetic negotiations conducted by&nbsp;the studios before July 1934, to go beyond the approach that consists in reducing \u201cPre-Code&nbsp;cinema\u201d to the early days of the talkies, generally approached through the prism of scandal, provocation, and the expression of the forbidden. The aim is to take a fresh look at the impact&nbsp;of this rise in censorship from 1921 onwards and on the intensification of the public conversation on the need for&nbsp;censorship.<br>The conference will focus on how films were made prior to 1934, despite&nbsp;or because of these tough negotiations, and on how the studios and the Hays administration&nbsp;were able to use the power of public opinion and respond to its pressures to&nbsp;protect the Hollywood industry.<\/p>\n\n\n\n<p class=\"has-theme-palette-3-color has-text-color has-link-color wp-elements-aeb7cb4d5412d8a8ca26120c64add12a\"><a href=\"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/inscriptions\/\" data-type=\"page\" data-id=\"43\">Registration to the conference is <strong>mandatory<\/strong><\/a> for in-person attendance. The fees include the buffet lunches and refreshments for the three days of the conference.<br><em>Students pay a reduced fee<\/em>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-medium is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"240\" height=\"300\" src=\"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/Myrna_Loy_in_The_Barbarian-240x300.jpg\" alt=\"\" class=\"wp-image-359\" style=\"width:323px;height:auto\" srcset=\"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/Myrna_Loy_in_The_Barbarian-240x300.jpg 240w, https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/Myrna_Loy_in_The_Barbarian-600x750.jpg 600w, https:\/\/hollywoodbeforethecode.parisnanterre.fr\/wp-content\/uploads\/2024\/03\/Myrna_Loy_in_The_Barbarian.jpg 640w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><figcaption class=\"wp-element-caption\">Myrna Loy in <em>The Barbarian<\/em> (1933). Directed by Sam Wood<\/figcaption><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading has-theme-palette-3-color has-text-color has-link-color wp-elements-797961d5a1ae3b79ca2cf626fe249a88\">Guest speakers :<\/h2>\n\n\n\n<p class=\"has-theme-palette-3-color has-text-color has-link-color wp-elements-9de947e3550d63174782f16c9747b67c\">Marguerite Chabrol, Universit\u00e9 Paris 8<br>Thomas Doherty, Brandeis University<br>Charles Wolfe, University of California, Santa Barbara<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-theme-palette-3-color has-text-color has-link-color wp-elements-11b0ec0838be7257fc7cbd838b4690e2\">Organizing committee :<\/h2>\n\n\n\n<p class=\"has-theme-palette-3-color has-text-color has-link-color wp-elements-37606e6e6a7a272738bd0fbf8038db2e\">Claire Dutriaux, Anne-Marie Paquet-Deyris, Jos\u00e9phine Gr\u00e9baut, Joanne Vrignaud, Antoine Simms<\/p>\n\n\n\n<h2 class=\"wp-block-heading has-theme-palette-3-color has-text-color has-link-color wp-elements-36060cd5fd122fb61f99e762d796770b\">Conference Organizers and Scientific committee :<\/h2>\n\n\n\n<p class=\"has-theme-palette-3-color has-text-color has-link-color wp-elements-ccc620f510b6c04ff688d42dd3c01a35\">Claire Dutriaux, Gilles Menegaldo, Anne-Marie Paquet-Deyris, Fran Pheasant-Kelly<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n<\/div><\/div>\n\n\n<style>.kadence-column9_8a5428-e0 > .kt-inside-inner-col,.kadence-column9_8a5428-e0 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column9_8a5428-e0 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column9_8a5428-e0 > .kt-inside-inner-col{flex-direction:column;}.kadence-column9_8a5428-e0 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column9_8a5428-e0 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column9_8a5428-e0{position:relative;}@media all and (max-width: 1024px){.kadence-column9_8a5428-e0 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column9_8a5428-e0 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column9_8a5428-e0\"><div class=\"kt-inside-inner-col\">\n<p><\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>international CONFERENCE Hollywood Before the Code (1921-1934) June 27-29, 2024Sorbonne Universit\u00e9 (Day 1) and Universit\u00e9 Paris Nanterre (Days 2 and 3) This international conference aims at re-examining the notion of \u201cPre-Code Hollywood\u201d and its periodization. Scholars from all over the world will examine the socio-political, ideological, and aesthetic negotiations conducted by&nbsp;the studios before July 1934,&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kadence_starter_templates_imported_post":false,"_kad_post_transparent":"","_kad_post_title":"hide","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"taxonomy_info":[],"featured_image_src_large":false,"author_info":{"display_name":"Silvio Carella","author_link":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/author\/scarella\/"},"comment_info":0,"_links":{"self":[{"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/comments?post=9"}],"version-history":[{"count":43,"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":454,"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/pages\/9\/revisions\/454"}],"wp:attachment":[{"href":"https:\/\/hollywoodbeforethecode.parisnanterre.fr\/index.php\/wp-json\/wp\/v2\/media?parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}